I was the first to arrive at StR8-UP STUDIOS, call time being 8:30am. The set was ready: five walls painted yellow, blue, green, black and orange. It looked good, not perfect. The artist had gotten the color scheme wrong. The walls were supposed to be yellow, blue, green, purple and black, and all colors were supposed to be dark instead of light. But it was too late to do anything about it now. Each wall had a similarly-colored box in front of it with a layer of black rubber to cushion the top.

I began setting up my lights as the rest of the crew began arriving. ANTHONY DURAN, the still photographer, checked out the set while the two wardrobe men began bringing in the costumes. BOOMASTER showed up with DEVON, the makeup artist, who immediately set up his assortment of powders. DREW WARNER and his assistant SCOTT came next, followed by BRUNO, the owner of OH MAN! STUDIOS, who was there to do paperwork and write checks.

ZACKARY PIERCE was the first model to appear, and according to the wardrobe men, wasn't exactly thrilled with his costume. But he looked great as Aladdin!



Next up was hottie CORBIN MICHAELS, who wore my favorite costume of the bunch...the Gentlemen Ghost (although my husband compared him to the Funky Phantom).



Models were still arriving and getting dressed, so I had Anthony do another glamour layout while we waited. He chose BRETT MATHEWS, who was a Venetian.



There are always a few models who show up late, no matter what time you tell them. CHRIS DANO strolled in 30 minutes past the call time, followed closely after by ANTONIO YORK. Where was JOSH CARTER? I called his agent who said he would get in touch with him. Five minutes later, there was still no word. We were 45 minutes late. I finally told the agent to send me a replacement. I need someone who was 1. Nearby. 2. Available NOW. 3. Would do the scene for the same amount of money as Josh. 4. Was close to Josh's size so he'd fit in the costume, and 5. See number 2. He came back with DANNY LOPEZ. Now, I've worked with Danny before in my capacity as cameraman, and he was a nice enough guy, but I knew he was more of a bottom and had cum shot problems in the past. I was hesistant, but up against a wall, so I said yes. Danny would be there in 30 minutes.

When he did arrive, I rushed him into makeup and wardrobe so fast he was a little brown blur. With a call time of noon for the orgy, we actually started at 2pm after a few pictures of the entire group in their garb.



I jumped in for a few pics for my own personal momento, and then I gave the guys their directions:

1. Have fun.
2. Mix up your partners.
3. Keep an eye out for the camera and the lights, and don't block either.
4. Don't look at the camera—ever.
5. Don't cum until I tell you.

And, with Drew manning the 2nd camera, we were off! We shot the orgy in three 30-minute segments, taking two breaks. Everyone sucked or got sucked and fucked or got fucked. Twelve cum shots (see Day Two for the reason behind the missing 13th) and 3 and 1/2 hours of footage later, it was over, and for someone who didn't seem to care for his costume, Zackary kept it on as long as possible. I congratulated everyone, told them all to clean up and put their street clothes back on and for Brett to get his suit on. We went into the main office to shoot the dialogue scene where Prospero tells his guests about the masquerade party. Brett looked just as hot in his suit as he did in his costume, and he delivered his monologue perfectly, impressing me with his acting ability. Dismissing the majority of the cast, I told SCOTT WILDE and Danny Lopez to clean up and get re-dressed for the glamour layouts. We did Scott first, and if there was one cosume that was my least favorite, it was his, as a British aristocrat.



Perhaps if the wig were brown instead of white, it would have been better. No matter. Next was Danny Lopez as an Elizabethan.



With that, we wrapped the day and headed home to get some rest before we came back in 15 hours to start Day Two.

JBK