OVERTIME: PRODUCTION DIARIES--DAY 2
Posted by Jett Blakk at 3/10/2008 10:09 AM and is filed under uncategorized 
On Day 2, I got up, showered and dressed, then watched Perry Mason on TV (I've always felt Della Street to be an unheralded gay diva icon) before heading down to Mels Restaurant where I met up with MOCHA and ADAM KILLIAN for a bite of breakfast. The SUV arrived, and we all piled in, heading for the Falcon offices.
Once there, PRODUCER ADAM showed me the copier room to make sure it had been set-decorated to my liking. It looked good. So, while JAMES and MATT lit the room, I meandered downstairs to see TORY MASON in makeup and beefy HAYDEN STEPHENS waiting his turn. There were a variety of suits in the wardrobe closet, but for today, Tory had bought a brand new suit for himself to wear, and Hayden would be in coveralls. I warned Tory that his suit might get messed, but he was comfortable that a dry cleaner would be able to get out any lube or cum stains.
Tory Mason
That took me back for a minute to an ancient Penthouse magazine letter where someone had written in describing a sexual escapade in which he had gotten semen stains on his pants. At the dry cleaners, he lied and said the stains were from cocoanut milk. That has always stuck in my mind for some reason.
Because it was a work day, black-curtained partitions were set up to block our shooting from the regular Falcon workers, so they wouldnt get distracted. lol. The boys were then told not to wander around the building naked.
Hayden Stephens
Now, this was Haydens first video for a studio, and he was understandably nervous, but since he and Adam Killian had bonded the day before during their workout, Hayden was most comfortable around him. Even though JEFFREY was assigned to be our p.a. that day, I asked Adam the producer if we could switch and have Killian help us out. I felt his presence on the set would give Hayden some confidence. He agreed, and James went off to help the still photographer, and Killian was sent up to us.
We started off shooting the dialogue, and the guys were great, although I had to prod Tory to act more irritated by the fact that the copy machine was down. He continues to bitch at Hayden, whos fixing the machine, until the repairman decides hes had enough and bends the bratty executive over the copier, yanks down his pants and stuffs his big cock up Torys ass!
What? youre thinking, Youre not starting out with kissing or sucking? Thats right. I get a lot of letters and e-mails, and I DO listen to what people say. When people said they wanted to see condoms being put on dicks in a sexy way, I made sure that happened in every single scene in CANVAS. Id gotten a lot of requests to break the formulaic sex scene, i.e.: kiss kiss/suck suck/fuck fuck/cum cum so for at least a couple of the scenes in OVERTIME, I decided to start with a fuck position.
So Hayden fucked Tory over the copier, pressing his face against the glass. As he slams the younger man, Torys elbow jams the Copy button, and black & white Xeroxes of his moaning face spit out of the machine onto the floor. It was really funny. We thought maybe the end credits should run over those, but it didnt work out.
Hayden did great for his first video. He had to stop a couple of times to get his dick worked back up, watching a video on a dvd player while Killian acted as cheerleader. Then he was back on the set with his dick in Torys mouth or butt.
The scene climaxed with Tory riding Haydens cock on the floor, the copies of his face strewn around him in a semi-circle. When he came, he sprayed his load onto his own face! lol. Hayden popped an impressive load next, and we were done for the day.
Tomorrow would be the scene in the doctors office, which was set in the space next door to the copy room. I told Adam the producer that after that scene, the black-curtained partitions would have to be removed so we could shoot the opening sequence footage on that floor. He said it wouldnt be a problem.
Upon hearing me talk about the opening sequence, LEIF GOBO asked me if we could shoot a few tests, since the footage would mostly consist of dolly shots. We nabbed COLBY TAYLOR to act as dolly grip, and we practiced several low-angle camera shots with the dolly keeping pace with Adam Killian, who would be acting as our faceless mail deliverer, but more on that next time. The practice shots looked great, and we were confident that the shoot would go smoothly.
It was early enough that I could make another attempt to go to Casual Male, but I had trouble getting a cab again. Finally, a homeless guy told me that I might have more luck if I stood on a particular street corner. I did, and within 10 seconds a cab pulled up! I got to the store, but they had nothing I liked, so it was another cab ride to my hotel. I sought out the laundry staff and had my shorts cleaned and ready for the next morning. I was a bit hungry, but I decided not to eat dinner. Instead, I worked on the storyboards for the opening sequence.
Now, I had asked Producer Adam if I could hire my own composer, JAKE RENDER, to compose a 90-second piece of music for the opening scene. He agreed, and using Danny Elfmans Breakfast Machine from PEE WEES BIG ADVENTURE as his inspiration, composed a wonderfully cheerful piece of music. I had loaded it into my iPod and lay in bed listening to it over and over, sketching out each shot until I had the entire piece plotted out on paper.
32 shots!
Leif was going to have a heart attack.
To be continued
JBK
Once there, PRODUCER ADAM showed me the copier room to make sure it had been set-decorated to my liking. It looked good. So, while JAMES and MATT lit the room, I meandered downstairs to see TORY MASON in makeup and beefy HAYDEN STEPHENS waiting his turn. There were a variety of suits in the wardrobe closet, but for today, Tory had bought a brand new suit for himself to wear, and Hayden would be in coveralls. I warned Tory that his suit might get messed, but he was comfortable that a dry cleaner would be able to get out any lube or cum stains.
Tory Mason
That took me back for a minute to an ancient Penthouse magazine letter where someone had written in describing a sexual escapade in which he had gotten semen stains on his pants. At the dry cleaners, he lied and said the stains were from cocoanut milk. That has always stuck in my mind for some reason.
Because it was a work day, black-curtained partitions were set up to block our shooting from the regular Falcon workers, so they wouldnt get distracted. lol. The boys were then told not to wander around the building naked.
Hayden Stephens
Now, this was Haydens first video for a studio, and he was understandably nervous, but since he and Adam Killian had bonded the day before during their workout, Hayden was most comfortable around him. Even though JEFFREY was assigned to be our p.a. that day, I asked Adam the producer if we could switch and have Killian help us out. I felt his presence on the set would give Hayden some confidence. He agreed, and James went off to help the still photographer, and Killian was sent up to us.
We started off shooting the dialogue, and the guys were great, although I had to prod Tory to act more irritated by the fact that the copy machine was down. He continues to bitch at Hayden, whos fixing the machine, until the repairman decides hes had enough and bends the bratty executive over the copier, yanks down his pants and stuffs his big cock up Torys ass!
What? youre thinking, Youre not starting out with kissing or sucking? Thats right. I get a lot of letters and e-mails, and I DO listen to what people say. When people said they wanted to see condoms being put on dicks in a sexy way, I made sure that happened in every single scene in CANVAS. Id gotten a lot of requests to break the formulaic sex scene, i.e.: kiss kiss/suck suck/fuck fuck/cum cum so for at least a couple of the scenes in OVERTIME, I decided to start with a fuck position.
So Hayden fucked Tory over the copier, pressing his face against the glass. As he slams the younger man, Torys elbow jams the Copy button, and black & white Xeroxes of his moaning face spit out of the machine onto the floor. It was really funny. We thought maybe the end credits should run over those, but it didnt work out.
Hayden did great for his first video. He had to stop a couple of times to get his dick worked back up, watching a video on a dvd player while Killian acted as cheerleader. Then he was back on the set with his dick in Torys mouth or butt.
The scene climaxed with Tory riding Haydens cock on the floor, the copies of his face strewn around him in a semi-circle. When he came, he sprayed his load onto his own face! lol. Hayden popped an impressive load next, and we were done for the day.
Tomorrow would be the scene in the doctors office, which was set in the space next door to the copy room. I told Adam the producer that after that scene, the black-curtained partitions would have to be removed so we could shoot the opening sequence footage on that floor. He said it wouldnt be a problem.
Upon hearing me talk about the opening sequence, LEIF GOBO asked me if we could shoot a few tests, since the footage would mostly consist of dolly shots. We nabbed COLBY TAYLOR to act as dolly grip, and we practiced several low-angle camera shots with the dolly keeping pace with Adam Killian, who would be acting as our faceless mail deliverer, but more on that next time. The practice shots looked great, and we were confident that the shoot would go smoothly.
It was early enough that I could make another attempt to go to Casual Male, but I had trouble getting a cab again. Finally, a homeless guy told me that I might have more luck if I stood on a particular street corner. I did, and within 10 seconds a cab pulled up! I got to the store, but they had nothing I liked, so it was another cab ride to my hotel. I sought out the laundry staff and had my shorts cleaned and ready for the next morning. I was a bit hungry, but I decided not to eat dinner. Instead, I worked on the storyboards for the opening sequence.
Now, I had asked Producer Adam if I could hire my own composer, JAKE RENDER, to compose a 90-second piece of music for the opening scene. He agreed, and using Danny Elfmans Breakfast Machine from PEE WEES BIG ADVENTURE as his inspiration, composed a wonderfully cheerful piece of music. I had loaded it into my iPod and lay in bed listening to it over and over, sketching out each shot until I had the entire piece plotted out on paper.
32 shots!
Leif was going to have a heart attack.
To be continued
JBK
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