ENDGAME PRODUCTION DIARIES--DAY 1: "THE BIG ONE"
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Let's go back to how this all started: it was the last day of the MUG SHOTS shoot, and CHAD HUNT was telling us all about how, after 8 years in the business, he had decided to bottom for the first time on video. It was going to be for a MICHAEL LUCAS film, and he was going to get to direct the movie himself.
Fast-forward 2 weeks: I was home strangling my houseplants when the phone rang. It was Chad. It seems that Mr. Lucas was shrinking the budget on his bottoming flick to the point where Chad was looking for another studio to film it. He had called around, and no one else could meet his asking price, or else they had to get an okay from someone. I told Chad I couldn't afford it either, but maybe DINK FLAMINGO could. I told him I'd call him back and ran upstairs to my computer. Luckily, Dink was online and I IM'd him Chad's offer. "Go for it!" Dink typed. "Don't lose this!"
Upon calling Chad back, he was delighted that I would be the one directing him. When she heard the news, CHI CHI LARUE told Chad that she was glad I was going to be the director, as I was someone Chad liked and trusted. That was nice.
There were a few conditions, though. On Chad's side, he wanted 2 scenes in the movie, one where he'd top and one where he'd bottom for a specific rate. He got to choose his top. He wanted to be the star of the film with lots of dialogue (he was going for the Best Actor awards). And finally, he wanted to okay the story. On Dink's side, Chad could only bottom once on video in his career and this would be it. Both sides agreed to the conditions.
I met with Chad a few times, and he okayed the story I was developing. My husband CVK and I had spent our last anniversary in Ft. Bragg, California, and I knew there were locations there that I wanted to incorporate. I also found out on the MUG SHOTS shoot that Chad rode a motorcycle, and I wanted his character to do the same.
A few complications set in. Chad moved to the mid-west and would have to be flown in and put up at a hotel for the film. I wanted Chad to scale a 30-ft. boulder for the movie, but this was no big deal, apparently, as he readily agreed. His 1st choice for a top man was not available (Derrick Vinyard). His 2nd choice was CORT DONOVAN, and he wanted to flip-flop with him (I talked him out of this because I thought the bottom "star" should be him and not split it). Finally, it came to my mind that if this was going to be his only bottoming scene on video, let's make if very special. Instead of one top, would he take 3 in a gangbang? He agreed to this, and asked for NASH LAWLER and PHENIX SAINT.
We were shooting at ProFac Studios, a new studio owned by Marina Pacific and run by ROSS CANNON. Originally, I was only going to shoot one scene there, but as other locations became unavailable or impractical, we ended up shooting all 4 sex scenes there. Ross built a cave set, a hotel room set (that had to match one in Ft. Bragg where we where shooting the b-roll), an office stairwell and a rest area men's room. I kept an eye on the sets' progress and was amazed at how great everything looked.
DAY ONE
I arrived at the studio with the usual carload of equipment and supplies. No bulky cooler this time, as the green room had a refrigerator.
While ANTHONY DURAN set up to do layouts on Cort, Nash and Phenix, everyone else lounged around and chatted while p.a. BOOMASTER recorded everything for the Behind the Scenes feature.
Chad tells Nash that he must get gang-banged next.
Phenix Saint gets an eyeful.
Cort Donovan is open for business.
He got some amazingly funny stuff from Nash, who is a riot. We kept calling him "Nash Lawler, Texas Ranger".
Nash's forehead does an impresseion of Luke Perry's forehead.
The guys all were really sweet and funny and eager to get at Chad's ass. lol. But while Anthony set up his equipment, I got all the guys in my car, and we drove over to a department store parking lot to shoot some dialogue. I saw a security guard on one end and drove to the other, trying to keep an eye on him while we taped.
The guys did their dialogue several times. Cort asked me if he could take a step after Chad as he leaves and say, "Fucker!" at him. I said, yes, he could. They all did a great job.
Is he cute or what?
Back at the studio, Anthony shot his layouts on the boys and we had a nice lunch. Then, it was time. Eight years of being strictly a top on video were about to come to an end for Mr. Hunt.
Blakk's posse. Not black pussy, although I can see where you'd make the mistake if you're hard of hearing.
The guys came on the set and marveled at the cave structure. I wanted the light to ripple and reflect on the back wall of the set as if there was water in the cave, so Ross took some pieces of broken mirror, put them in pans of shallow water and shone light into them, but this only created small 2-foot-square patches of reflecting light. He remembered a pal of his at a lighting studio and after a quick phone call, told me about a light they had made specifically for such effects. He went off and returned with it. Light wiggled and writhed all over the set, and it was a "go."
Now, I had talked to MICHAEL STABILE at TheSword.com and arranged to have him visit the set and shoot a short Behind the Scenes feature for the site. He interviewed me and took a short tour of the set. He interviewed the models and watched the proceedings, taking pictures with his cell phone which we used to launch the "sneak" mass p.r. campaign. It was fun seeing Mike. He's a great guy and fun to have around.
Chad enters the cave, looking for the Dark Rider, a mysterious shadowy figure who has been plaguing him throughout the movie. Suddenly, he is confronted by the Terrible Trio who he got the best of earlier in the parking lot. They threaten him, and he tries to force his way out of the cave, to no avail. Holding him down, they take out their dicks and force poor (lucky?) Chad to suck them.
Chad sucked so much dick in that 2 hours that I'm surprised his tongue hadn't been sanded smooth. We took a break, and Phenix came up to me. "I take a long time to cum," he said. "I just wanted to warn you."
"Like, how long?"
"20 minutes."
I shrugged. That wasn't too bad. I looked at my watch. It was going on 4:00pm. SCOTT CAMPBELL and JAMES HAMILTON were flying in together, arriving at LAX at 6:00. I knew we were running short on time, since I was the one who had to pick them up.
The guys came back in, and first position was to be Chad bent over the boulder in the middle of the room. He wanted to get fucked according to dick size, with the biggest going last, so Nash went first.
I was pretty excited as I saw Nash's dick pop Chad's butt. I had waited for this moment for 4 years. Chad grunted as he was penetrated, and Nash immediately began fucking him. I filmed it for 5 minutes, then it was Phenix's turn.
Another 5 minutes of grinding, and then Cort stepped up to bat. He shoved his big dick into Chad's little ass and pounded him with the ferocity of the spirits of all the world's bottoms demanding revenge. lol.
Chad sucked Phenix's dick as Cort rammed his ass, and Cort was so dick-hungry himself that he took a mouthful of Nash when he climbed up and straddled Chad! I ended up not using this footage, because these are supposed to be straight guys, but it was hot to see. And Chad must have been enjoying himself, because he got so turned on that he blew his load! Luckily, he warned me he couldn't hold it, so I got into position and caught it on camera.
Now, about this time, I got text messages from Scott Campbell's roommate, saying that there was a bad storm with a tornado and Scott wasn't going to make his plane, as everyone was in a tornado shelter at the airport. James' agent, BAILEEY, texted me to say that James' flight was running late. Apparently, he got on the plane which took off before the tornado hit.
Keeping all this in mind, I shot the 2nd position. We repeated the order with Chad on his back on the small boulder. We went in a circle as Nash, then Phenix, then Cort fucked him again, then each took another turn on him.
In a non-scripted moment, Nash gets it from both ends.
It was time for cum shots, and Nash went first, blowing his load on Chad's face. Cort was more than ready, and he shot on Chad's chest. Phenix worked on his dick. "20 minutes," I thought to myself. 30 minutes later, he was still working on it. Chad would suck him, his dick would get hard, then Phenix asked him to stop. He did, and Phenix's dick would go soft, so Chad would start sucking him again, and Phenix's dick would get hard again, but he'd ask Chad to stop, and his dick would go soft again. After 45 minutes, Phenix suddenly cried out that he was going to cum and he shot all over Chad's balls.
Phenix's face mid-cum shot.
Chad jacked his dick like a madman, and shot another load onto his stomach. This turned Nash on so much, that he yelled that he was going to cum again and blew another creamy load onto Chad's face. In the editing room, Nash's 2 cum shots would not edit into the scene separately, so I combined them to make one long cum shot that seemed filmed from 2 angles.
Now, the guys cleaned up while I got set up to shoot some final B-roll in the cave. Scott's roommate texted me that Scott had gotten on the next plane. TREVOR KNIGHT had shown up for the dialogue, in which he was going to bash a couple of beer bottles over Cort and Phenix' heads. Suddenly, I got a call from James. He was at LAX and was calling from a pay phone. He said he was here, and I told him to just hang out and wait for Scott's plane to come in. I would leave in about 30 minutes. James said he would wait in the bar.
The trio got dressed and did some threatening dialogue. I showed them that the beer bottles were thin breakaway plastic with "Blakks Beer" labels on them.
Nash Lawler says "Drink Blakk's Beer!"
I told Trevor to bring the bottles down on their heads with a kind of "pop" motion, impacting then immediately coming back up. "Don't continue the down stroke," I said, "or you might cut them."
Trevor about to brain boys with beer bottles.
He did it once, and it looked good. I had four more bottles, so we did another take, and I kept the final two as souvenirs.
Cort & Phenix after the bottle breakage. They liked it.
James called again to see if I was on my way, and I said yes. I called a wrap and let Boomaster clean up while I wrote checks, grabbed my stuff and headed for LAX.
I picked up the two models and headed for Van Nuys and the motel where I was bedding them for the night. James asked if we could stop somewhere so he could get beer, and I agreed, as long as he didn't get shit-faced and couldn't work the next day.
Checking them in was an experience I don't care to repeat, and soon I was home, showering and jumping into bed, knowing that I had just put a HUGE feather in my cap.
Whooo! Awesome first day!
JBK
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